Deb and I got up early on Friday morning of the Thanksgiving Weekend and headed to Mizzy Lake in Algonquin Park to watch the sunrise and hopefully see a bull Moose. We didn’t see any Moose however enjoyed a wonderful morning and were able to take a few pictures along the way.
The Pileated Woodpecker is the largest woodpecker in North America and is about the size of a crow. Woody Woodpecker is perhaps the most famous Pileated Woodpecker! They are fairly common in Ontario however we don’t often get to see them up close. Deb spotted this one who was working on a fairly isolated Spruce tree, so it was just a matter of waiting for him to fly to another location allowing the opportunity to get some in flight images with a nice clear back ground, which is quite unusual as they are most often seen in the deep forest.
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The Gray Jay is a common bird in Algonquin park and is a very friendly bird that readily comes to your hand for a peanut. In fact they often follow you along the trails, especially if you have food for them as shown in this short video clip taken with my iPhone.
Most of the Gray Jays in Algonquin Park are banded, usually with two coloured bands on one or both legs. The bands normally indicate the year and location the birds were banded which allows researchers to monitor the life spans and migration patterns of the birds. It was nice to find a few non-banded birds which make photographers happy as the bands create visual distractions in photographs.
The Mizzy Lake Trail is one of our favourite trails in Algonquin Park and it is accessed from Highway 60 at the Arowhon Road. The trail, like much of Algonquin is characterized by Spruce Bogs. Below are some sunrise and early morning images.
Just before sunrise.
Sunrise
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To conclude this post, let’s start a bit of a discussion on depth of field especially as it relates to landscape photography. Typically we want everything in a landscape image to be in focus which requires a small aperture in the range of f/18 to f/22. Also, the shorter the focal length of the lens the greater the depth of field is at the same aperture (compared to a longer lens). The small aperture and the desire to use low ISO’s for better image quality results in longer exposure times which is why it is mandatory for a landscape photographer to carry a tripod at all times. Also using a tripod makes you consider the composition and take more time to set up the best possible shot that achieves the goal you have in mind for the finished product. The next three images share the same composition and differ functionally only my the aperture at which they were taken.
f/22, 1/25, ISO100 ,29mm. Everything in the image is in focus. The whole scene is the object and your eyes wander throughout the image.
f/8, 1/160 sec, ISO100, 29mm. The shallower depth of field starts to make the red leaves become the object of the image.
f/2.8, 1/1250, ISO100, 29mm. The entire middle and back ground are out of focus and the red leaves become the only object receiving all of the observer’s attention.
So the question becomes, of the three images, which is your favourite? That is a very subjective question and there is obviously no right or wrong answer, it is simply a matter of preference. As a photographer it is good practice to take the same image at different apertures as well as focusing on different objects within the frame in order to use fluctuating depths of field to your advantage and achieving very different results. It is surprising how this practice will improve your landscape skills and help you develop a better eye for that perfect landscape image.
The bird images in this post were taken with a Canon 1D Mk III and a 500mm f/4 L lens with attached 1.4x TC for an effective focal length of 700mm, using a Jobu monopod and Jobu Jr. gimbal head. The landscape images were taken with a Canon 5D Mk III and 16-35 f/2.8 lens on a Gitzo travellers tripod with Markins ball head.
Deb & I spent a wonderful three days at the Mohonk Mountain House near New Paltz, New York which is about 85 miles due north of New York City. We were there over the Victoria Day Weekend along with about twelve other Chiropractors and their spouses to attend a coaching seminar with TLC 4 Superteams. TLC is one of the premier training organizations for chiropractors and it is a privilege to be one of their coaches; helping other chiropractors provide superb care for their patients.
The Mohonk Mountain House is the #2 Ranked resort spa in the United States and it is well worth the trip if you are looking for a quiet place to get a way for a few days. The 266 room Victorian style lodge was built in 1869 and I believe has remained in the same family since that time. It has entertained presidents, celebrities and normal people like us over the years and offers a multitude of outdoor adventure activities as well as a world class spa to pamper you afterwards.
We didn’t have a lot of time for photography but thought you may enjoy a few snap shots taken around the grounds.
The main lodge taken from across Lake Mohonk
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There were many gazebos and porches around the property which were perfect for reading and just relaxing and enjoying the view.
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Looking out from the other side of the lodge provided a great view of the Catskills Mountains
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The view from the room.
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All of these shots were taken with the 5D Mk III and either 16-35 or 24-105 lenses.
Arches National Park contains an incredible display of some of the most interesting geologic formations on the planet and as the name implies, many of them are aches. In fact, there are over two thousand natural stone arches in the park. Probably the most famous arch in the park is Delicate arch, which requires a little hiking to get to, however spending a sunset at the arch is certainly one of the best sunsets you will ever see.
Delicate Arch lies on the edge of a precipice about one thousand feet above a salt valley and can be viewed from either side of the valley, although from the opposite side of the valley you are probably a mile or so from the arch. Deb and I observed the arch from both sides of the valley, which made for an enjoyable afternoon of hiking, although carrying thirty pounds of camera gear felt like three hundred pounds by the time we were finished.
We first hiked the Delicate Arch Viewpoint trail, which is an easy 1.8 mile loop that gains about three hundred feet in elevation from the trailhead. The view across the salt valley to the arch is impressive however you will need a long lens to photograph the arch from this vantage point. This first shot was taken from the natural amphitheatre across the valley from the arch with a 400mm lens. The little guy in a bright red shirt sitting alone on a boulder looking at the arch makes this shot.
The hike to the base of the arch is a bit more arduous, and climbs about 500 feet over a trail that creates a round trip of just over three miles. It’s an interesting trail in that you don’t see the arch until the last few feet of the hike, but what an incredible sight when you come out from walking along a sandstone wall and catch that first view of the arch. About five hundred feet before reaching the top of the trail, your can see Framers Arch in the sandstone wall that blocks the view of Delicate Arch. You have to climb up the wall about twenty feet, but viewing Delicate Arch through Framers Arch makes for a good photograph.
Delicate Arch overlooks a salt valley with the La Sal mountain range in the back ground.
As the sun goes down over the horizon the natural red rocks take on an amazing colour.
Sunset at Delicate Arch.
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Seeing the Delicate Arch was one of the many highlights of our trip to the canyon lands area of the States and I trust these images encourage you to make the trip!
Photographing the Mesa Arch at sunrise is something every serious landscape photographer wants to do before hanging up the camera gear. In order to be there on time requires a bit of effort however that effort is richly rewarded as you watch the sun break over the horizon and under the arch, illuminating the La Sal mountain range some thirty-five miles away and the Colorado River Basin two thousand feet below. It was 34°F when Deb & I left our hotel in Moab Utah around 4:30 a.m. for the forty mile drive to the Mesa Arch trail head which is in the Island In The Sky region of Canyonlands National Park. From the trailhead we hiked the rather short trail (half of a mile) in the dark but didn’t require flashlights all of the way as the moon light was wonderful that morning. Once we claimed a spot for the tripod and set things up we had about 45 minutes before sunrise during which we got a chance to chat with the twenty or so others who arrived before the sun came up. Make sure to arrive early if you want a good spot!
The exposures for the images posted today range from less than a second to more than thirty seconds and were all taken with a Canon 1D MK III and 16-35/2.8 or 24-105/4 lenses. Most were taken with Lee and Singh-Ray 4×6 ND grad filters.
Before the sunrise.
Sunrise….at one of the prettiest places on earth to watch the sun come up. When photographing sunrises, always use a small aperture of f/18 or smaller which creates the starburst look of the sun. This is true for any bright light source in your image (street lights, stars, Christmas lights, candles etc). If you want the starburst effect, use the smallest aperture possible. This means using a tripod because of the longer exposures required but it is worth the effort and creates excellent results.
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After the sunrise we had some time to explore around the arch and photograph it from many different angles. The following are a few of our favourites as well as some general shots to give you a sense of the area.
The underside of the arch literally starts to glow a few minutes before sunrise and is amazing to watch. In looking at the arch, my theory is that the glowing phenomenon is created by the early light reflecting off the cliff face upwards onto the underside of the arch which overhangs the 1800 foot precipice. The oxide rich sandstone makes the warm early light take on the even richer red & orange shades seen in the images. I think this next shot illustrates the point.
From the other direction.
A group shot!
The arch from above (you can see a person at the top of the arch for perspective).
Finally some close-ups. The Mesa Arch is one of the most photographed arches on the planet so there are no unique or original shots to be taken, that said, you always try to take something that is a little bit different.
It seems that many of the rock formations have their own descriptive names. In the right central portion of the image below you can see three local landmarks. The ‘Washer Woman Arch’ is in silhouette in front of ‘Airport Tower’ and immediately left of ‘Monster Tower’.
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I trust these images have inspired you to plan a trip to Canyonlands National Park to experience a sunrise at the Mesa Arch.
Monument Valley is a vast area within the Colorado Plateau which is characterized by huge sandstone buttes and mittens, the largest of which are over one thousand feet high. Monument Valley is part of the Navajo lands and all of the images in this post were taken within the 92,000 acre Monument Valley Navajo Tribal Park. Monument Valley is entered off Hwy 163 just south of the Utah, Arizona border and a few miles west of the Four Corners. For the trivia buffs, the Four Corners is the only place in America where the borders of four states meet….Arizona, Utah, Colorado and New Mexico.
While in Monument Valley, Deb & I stayed in the The View Hotel which was a terrific spot and every room has a view like no other hotel you have ever stayed at. When in the area, this is the only place to stay if you want to capture incredible sunrises and sunsets without leaving your room. Here is a twilight image of the West and East Mittens (and hotel dining room entrance) taken from our balcony.
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Monument Valley is a wonderful place to photograph; the awe-inspiring beauty of the landscape, the sheer size of the buttes & mittens and the dynamic light creates ever-changing colour hues within both rock and sky so each image is different from the other even though the object remains the same. The following images are an attempt to show case the three sandstone formations that comprise the famous Monument Valley Panorama; the West Mitten, East Mitten and Merrick Butte.
The first five images are sunsets.
The Mitten Buttes (West & East)
The West Mitten
The East Mitten
The East Mitten and Merrick Butte
The same shot, different time, different sky….amazing!
The following images are sunrise shots and as is often the case the photographs taken before sunrise are the ones that catch your eye.
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If memory serves me correctly these images were taken using three different lenses; 16-35/2.8; 24-105/4 and 70-200/2.8 Most of this series was also taken using 4×6 Lee ND Grad filters.
After watching the sunrise we headed out into the valley where there is a forty mile dirt road that winds its way around countless buttes, each one a great photographic opportunity, the result of which I’ll post another time. From Monument Valley we headed North along Highway 163 to Moab Utah and two more incredible National Parks; Canyonlands and Arches.
Heading southwest towards Monument Valley on Route 163 near the Utah Arizona border you are greeted by one of the most iconic open road views in the country. Our first glimpse of this amazing vista was in the rear view mirror as we were heading North towards Moab at the time! No doubt you have seen pictures similar to the ones posted today, however I trust you also enjoy these. Please feel free to comment on them and let me know which perspectives you enjoy the best.
The five images to follow were all taken hand-held at focal lengths ranging from 16-105 mm, with the perception of the depth of the image being progressively compressed at the focal length increases. One of the ‘rules’ of wide-angle landscape photography is to have something of interest in both the foreground and background , however this creates a problem for shots like these where the topography is pretty nondescript save for the incredible buttes and mittens that are at least five miles away. To try to follow the rules of composition, I found the largest bush along the road side and positioned it in the foreground of the image, making sure to have the camera high enough that separation was maintained between the bush and the background rock formation.
This next shot was taken from the same general spot as the first image (you can see the bush used as foreground object in the last shot on the right side of this image as well). The only differences being focal length (24mm) and lower camera height to change the perspective making the road more prominant. For this shot I was lying down so the camera was only about six inches above the road. This image is a single frame, cropped to create the panoramic look.
The last three images attempt to find a pleasing balance of perspective and composition resulting in a great photograph, or moving the image from a snapshot to a photograph.
The next image is just a snapshot, taken with the camera at standing height from relatively close to the rock formation. Being too close to the background stops the road from disappearing into a long thin ribbon which takes a way the feeling of great distances and also reduces the ability to sense just how big the rock formations actually are. Both of these problems are compounded by the longer focal length chosen to take the image (105 mm).
The last two shots come the closest to working well at conveying the feeling of what it was like to actually be there. The next image was taken from the farthest point away from the buttes which were about four or five kilometres away. It was taken standing to reduce the relative size of the road in the foreground and including a bend in the road to change the way your eyes are led towards the buttes and mittens in the background.
The last image is my favourite of this group. It was taken from a sitting position in the middle of the road to enlarge the presence of the road slightly as well as allowing the small berms on the roadside to provide some foreground interest. Plus the straight road into Monument Valley takes you immediately to the object of the image. The shot was taken at 65mm at f/16 at 1/100 sec.
The enjoyment of an image is a purely subjective thing, we either like it, don’t like it or are ambivalent towards it. The trick with good photography is to deliver images that someone other than yourself actually likes! To do that we need to learn to always be thinking about the pictures we are taking, and then experimenting with different variations of the same scene like I’ve tried to demonstrate with these images of Monument Valley. The more thought one puts into the exercise before pressing the shutter really helps deliver consistently better images. It is so much easier to improve your skills in the digital age as CF cards are inexpensive and we can take lots of images in order to arrive at a couple of good ones. For this series Deb & I probably spent an hour or so stopping at four or five different spots along the highway and taking about seventy-five images.
If you haven’t already been there, plan a trip to Monument Valley. You will be glad you did!
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